In the first half of the 20th century, the Brazilian artist Roberto Burle Marx (1909–1994) revolutionised landscape architecture by transferring compositional principles from painting and music to nature.
While his plans resemble abstract paintings, he integrated sculptures as well as three-dimensional and colourful wall surfaces into his landscape projects. In his paintings one encounters abstract plants and the play of light in the treetops. As a painter, graphic artist, sculptor, jewellery designer, stage and costume designer, environmental activist and collector, he participated – in the spirit of the Brazilian avant-garde – in the cultural appropriation and re-evaluation of what was considered ‘Brazilian’. In his parks, for example, he used native plant varieties, even though these were held to be inferior, and advocated for the study and protection of Brazilian flora.
Curator: Fabienne Eggelhöfer
Curatorial assistant: Myriam Dössegger
An exhibition organised and curated by the Zentrum Paul Klee and Fundación Juan March in partnership with the Instituto Burle Marx and the support from Sítio Burle Marx.
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