Museum Franz Gertsch

The art of Franz Gertsch and temporary exhibitions

Opened in 2002 and extended in 2019, the Museum Franz Gertsch, with its very clear rooms entirely given to art, is dedicated to the internationally renowned Swiss artist Franz Gertsch. In addition to the art of Franz Gertsch, the museum, located in Burgdorf near Bern, regularly shows temporary exhibitions presenting a broad spectrum of contemporary art. Companions as well as comparable younger positions from Switzerland and abroad, but also contrasting approaches to reality are the exhibition themes; the interface of painting and photography forms another focus. The core of the museum collection is formed by the large-format woodcuts printed on Japanese paper and the monumental paintings by Franz Gertsch from 1986 onwards. The permanently exhibited cycle of the Four Seasons, created between 2007 and 2011, is unique.

Museum Franz Gertsch
Esther Ernst. Chartings
until Su, 02.06.2024

The Swiss artist Esther Ernst shows current works on paper in the Cabinet of the Museum Franz Gertsch.

 

Esther Ernst is a graphic artist. Her special interest lies in cartographic and travel drawings as well as long-term projects and collections, such as her graphic journals or her archive of index cards. However, she also creates thematic series of drawings. Further fields of activity include text, mural painting, video, and art in architecture.

 

The Swiss artist’s presentation in the Cabinet of the Museum Franz Gertsch features current works on paper, such as a drawing with text from her scholarship in Istanbul in 2023 and a large-format cartographic drawing of the city of Frankfurt am Main. The artist explores these areas on foot and charts them “en plein air”. Back in her studio, she weaves the collected sketches into large-format “story maps” with room for fear, love, memories, and enthusiasm. Another monumental drawing is dedicated to the years of the Covid pandemic and explores the devastating global effects of the contagious disease. Since 2004 she has been archiving personal notes and photos of exhibitions, concerts, lectures, plays, and other events she visited in her index card collection “wo ich war (where I was)” which is included in the exhibition.

 

Esther Ernst was born in Basel in 1977. From 1997 to 2006 she studied art and set design at the Zurich and Basel Schools of Design, at the University of Fine Arts Hamburg, and at the Berlin University of the Arts (as a master-class student). She regularly receives support for her creative endeavours through work and travel grants, and her works are purchased for both public and private collections. Since the 2000s she has had a steady flow of exhibitions as well as lectures and seminars at home and abroad. The artist lives and works in Berlin and Solothurn.

 

Anna Wesle curated the exhibition in collaboration with the artist. The accompanying catalogue will be published by modo Verlag, Freiburg i. Br.

 

To the artist’s website

 

Museum Franz Gertsch
Karin Kneffel. Face of a Woman, Head of a Child
until Su, 01.09.2024

Monumental paintings with picture-filling, ripe apples and grapes have made Karin Kneffel internationally famous. At the Franz Gertsch Museum, the German artist is presenting her new series of Madonnas, which deal with the religiously and art-historically charged theme in a modern and complex way. Other works are dedicated to Jesus and Joseph, fruit, candles and fire.

 

Museum Franz Gertsch
Franz Gertsch. Rüschegger Erde
until Su, 01.09.2024

The Franz Gertsch Museum is showing for the first time the last two completed paintings by the artist Franz Gertsch, who died in 2022. "Cima del Mar" and "Schwarzwasser" (both from 2022) will be exhibited together with other paintings and woodcuts from earlier years.

 

 

 

For the first time, the Museum Franz Gertsch is showing the last two works the artist Franz Gertsch completed before his death in 2022. “Cima del Mar” and “Schwarzwasser” are on display together with earlier paintings and woodcuts. Franz Gertsch painted the five large-format pictures of his blue phase (2019–21) with genuine ultramarine pigment which is made from semiprecious lapis lazuli quarried in Afghanistan. For this late work the artist dipped motifs he had been depicting for decades, such as grasses, butterbur, and forest landscapes, into one colour, blue, thereby allowing himself to become completely immersed in an intense, ultramarine-blue phase. In the process he continued to critically examine and refine his work.

 

Franz Gertsch created “Meer II (Sea II)” (2021/22) shortly after the paintings of the blue phase, once again with genuine ultramarine. However, he also worked with blue and grey watercolour pencils and used the warm white of the unprimed cotton as a stylistic element.

 

Now two paintings the artist produced subsequently are to have their world premiere at the Museum Franz Gertsch: “Cima del Mar” and “Schwarzwasser” (both from 2022). These last two completed works represent the first translation of motifs known from his woodcuts into paintings. The shade of brown he used in both compositions is derived from a pigment made especially for the artist from earth sampled in Rüschegg, where he lived and worked.

 

Other paintings and woodcuts by Franz Gertsch are also on display, mainly from the field of landscapes such as several “Schwarzwasser woodcuts (1991–95), the seasons paintings (2007–11), and “Pestwurz (Butterbur)” (2015).

 

The exhibition was curated by Anna Wesle.

 

Museum Franz Gertsch
Xylon Schweiz. 80 Years
Sa, 08.06.2024 – Su, 01.09.2024

In 2024 we are celebrating 80 years of Xylon Switzerland: The group exhibition provides insights into the versatile, contemporary creations by the members of the Swiss section of the “Internationalen Vereinigung der Holzschneiderinnen und Holzschneider Xylon (International Society of Wood Engravers Xylon)”.

 

A group of wood engravers who had first joined forces as the “Schweizerische Vereinigung XYLOS (Swiss Society XYLOS)” in 1944, founded the “Internationale Vereinigung der Holzschneider XYLON (International Society of Wood Engravers XYLON)” in Zurich in 1953. Today the Swiss section comprises about 50 artists who give special attention to relief printing in their work and have manifest connections to Switzerland. The activities of Xylon Switzerland include group exhibitions at home and abroad, as well as the publication of the Xylon magazine with original woodcuts.

 

The exhibition is curated by Anna Wesle and Catharina Vogel and will be accompanied by an anniversary catalogue.

 

xylon.ch/